nach ihrem ersten generationsübergreifenden zusammenarbeit, “late night endless” (2015), begeben sich die beiden protagonisten zu spannenden, neuen soundexkursionen in eine vielzahl von subgenres wie nervösem funk, industrial-drone, jungle-rave, cosmic (zu gesprochenen weisheiten von dub-meister lee “scratch” perry), furiosem synth-grime und trägem breakbeat (im cover von ryuichi sakamotos “merry christmas mr. lawrence”). neben lee perry begrüssen sherwood & pinch auf “man vs. sofa” weitere illustre gäste wie martin duffy (primal scream), taz (dizzee rascal) und skip mcdonald (sugarhill gang, tackhead, little axe).
doppel-vinyl im klappcover, downloadcode inklusive.

its june 2003, and the power trio of tony, halo & hipp-e have formed a supergroup under the guise the 6400 crew to unleash a 12-inch that would take the summer by storm. dubb me some tin fresh- quickly garnered support from the upper echelons of the dj community for its unrelenting groove and its unabashed tribute to the music of producers like lee scratch perry and king tubby. fast forward 13 years, and this single further cements itself in the history of yoshitoshi with a classic remix pack.

influenced by detroit and post rave sounds, casey tucker presents an ep that mixes skippy house with percussions and acid bass lines. this record was produced especially for certain music records after he was approached by the end of 2015. rather than providing projects coming straight from his hard drive, he decided to produce all fresh tracks from scratch.

night train serves both as a marvellous offering for james brown completists, and, on another level, as a brilliant on-record instrumental jukebox, full of booting saxes, guitar sounds that practically force you to get up and dance, and all propelled by a beat that’s spanned the years without ageing one little bit. so there you have it… a great album that proves what james brown and his friends were doing at the start of the ‘60s still sounds amazingly fresh.
pressing on translucent red 180 gram vinyl.

originally released as a soundtrack in 1974, and long out of print, cinewaxs reissue is remastered from the original tapes and is presented as an exact reproduction of the original album artwork featuring jim pearsalls classic film art. sometimes, it doesnt take very long to create something brilliant. when producer robert evans rejected phillip lambro’s original score for chinatown, jerry goldsmith was hired to create another, from scratch, in just 10 days.

die -ground floor- 4-track-ep ist das erste neue n.o.w. material seit vier jahren und sein erstes dancefloor-offering seit über einer dekade. mit den vier neuen tracks offenbart george evelyn seine tiefe verwurzelung in der clubkultur und im detail in den bereichen dancefloor, footwork, house und ibiza-nightlife.

fifth 12- on the 10 years series featuring tracks by silent servant, varg, nuel and giorgio gigli.

after repeatedly being visited by a strange messenger in his dreams while on tour in the islands of greece, toby pazner became consumed with a vision to tell the stories of theolympians through music. chosen by the gods as a messenger for not only his musical gifts, but for his unique position at the center of the daptone family, toby built a home studio from scratch and employed some of the top soul musicians in the world to help him breath life into this album. the result is a dramatic and cinematic journey to the outer limits of instrumental soul music, built on a foundation laid by the same craftsmen who’s bricks built the legacies of sharon jones, lee fields, charles bradley, the budos band, and menahan street band, and painted with lush strings, harpsichord, harp and horns. the olympians is destined to be the instrumental gem of the year.
the vinyl lp includes a download code.

break records are being released at an astounding rate. yet most of the sounds and samples used are just the same recycled material from the last dozen break albums. this leaves the dj who is looking for new material to create with, disappointed. that is… until the arrival of grime-n & starfunkle’s sushi breaks, a break record that is the compilation of a decade’s worth of crate digging, sampling and beat making.
featuring all new production from an international array of renowned hip hop djs and producers. each track of beats is set to single bpm, letting the dj juggle endless sets with no need for sudden pitch adjusts, giving maximum creativity to battles routines. sushi breaks is chock full of original sounds and samples not used on previous break albums, offering the dj a whole new tool box of scratch to paint their sound canvas with. pressed at maximum groove depths, sushi breaks keeps the needle where it’s supposed to be, so you can do your best work without interruption.

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

ersatznadel für das ortofon pro. die pro serie gehört zu den meistbenutzten dj systemen und damit kommt auch die netsprechende nadel überall auf der welt auf den plattentellern zum einsatz. die pro serie ist bekannt für ihre sehr ausgewogenen klangqualitäten und hat sich damit bereits einen guten und auch legendären ruf verdient. der sphärische schliff der nadel schont darüber hinaus das eingesetzte vinyl und eignet sich auch hervorragend zum scratchen. nicht umsonst trägt es den namen -pro-. features: typ: sphärischer schliff, tip-radius: r 18 pm ... great performance and durability as to basic scratch and back-cueing is what the pro is known for. it has a good quality spherical stylus, a rock-solid cantilever, and serves general purposes well. the pro is the logical alternative to the more expensive expert cartridges. it offers both reason-able output and high sound quality which is, in fact, all there is needed to entertain an audience. ideal choice for talented, but less experienced djs!

gear, sniff, chisel, bump, nosebag, charlie, toot, chang, bugle, gak, beak, chabayo, nose-up, chop, white powder, yayo, showbiz, hurry up, noriega, industry powder, blow, snow, white lady, nose candy, dancing dust, bolivian marching powder, the devils dandruff, tokyo, bazooka, chicken scratch

reissue of a 1966 james brown classic on 180 gram vinyl with download code included.

nice price deal !!! a new collaboration in the highgrade mansion.todd bodine, one of highgrade s most profilic djs and producers, teams up for this perfect little joint with highgrade debut ludwig coenen, who seems to be willing to conquer from scratch. from the very first second, these three trax pave the way for a rockin, totally mad yet very structured electronic desaster, which is not easy to categorize musically, as it surely goes beyond your typical (post-)minimal track. a sure shot for all advanced djs with balls and brains, trippy, groovy as hell and flashing when least expected

for the 11th release 7777 presents the ghost miners remixes. for these remixes i offered each producer samples from different songs from the 2 ghost miners records. instead of doing straight forward remixes of a single song, i put forth the proposal for each artist to make their own version of a ghost miners song from scratch or using any samples they feel like. contributors include 3 of my favorite producers. 2 in demand artists, fit siegel and andreas gehm and one new comer, brian thrash. andreas gehm s version is a standard acid gehm gem. calling in the chords from the originals mixed with standard gehm acid brilliance. in fit siegel s version you ll find the perfect pure underground dance sound. featuring ray-7 on hand drums fit constructs a remix that combines elements of classic detroit and chicago sound while keeping the attitude and acid aesthetic of the original material. on the b side brian thrash, controlling his analogue arsenal, takes you on an epic acid journey traversing through the underground and space. thank you for your time. - jared wilson

haunting and driving techno delight with a house touch for late night movement, from paul mac and jonny seymour aka stereogamous. two masters of saunatechno, two icons of australian music, two friends that make magic together on the reg. remixers of lcd soundsystem, kylie minogue and the presets. paul is an aria award winning legend, from his itch-e & scratch-e project to his work with silverchair and beyond. jonny aka seymour butz is half of homodisco ravesupreme kooky, a renowned hug enthusiast and one of australia s most revered soundtrack curators. together they are a supreme duo whose musical taste is beyond redoubt. deejays par excellence, musicians who push the boundaries, this ep is the sound of a summer in love in berlin and thought over in a sydney winter. pressed exclusively on 100 180g vinyl records only. this will never be re-pressed. listen

british producer reformed society is on a steadfast mission to dig deeper by going against the grain, standing up to the status quo and daring to do something different. a self proclaimed goal that is easily noticeable in his first release for “made of concrete”, wherein he reveals three original tracks and a remix by gathaspar, one of the label’s regulars. kicking things off with “high tension”, a high strung stripped back piece with an aerial feel, the artist builds up the entire mood of the ep from scratch. a clear-cut, steady groove whose versatility makes it relevant as an intro, outro or interlude. gathaspar’s rausch remix is a sub-bassy reinterpretation of the initial piece, filled with contorted whirs and whizzes that give the track a sub- aquatic feel. on “volgende halte”, the opening vocal sample shifts from a seemingly conventional soundbite to a recurringly haunting snippet that remains etched into the listener’s brain. rhythmical rolling pads galvanize the groove, making for an eerie yet relaxed overall vibe. movement inducing from the get go, final offering “orbiting jupiter” centers around wavering bass leads, while playing on a blend of spacious synths and timbered percussion patterns.

april showers bring may flowers, but this april claude vonstroke brings you the rain break. inspired by two different songs from the 80s - (razes classic break for love and oran juice jones the rain), claude has replayed and re-sung all the music from scratch to make a special cover tune of both tracks changed and combined into a surefire dirtybird classic. to quote vonstroke, i kept singing the break for love bassline over and over again in my head but the vocal that always popped in over the top was from the oran juice jones. i cant explain why that happened but i just thought they went together so well that i ran with it.here comes the b is a much weirder affair. built with massive psychedelic effects, a huge kick and almost no hi-hat pattern, this is late night cavemen music at its best. this big release from cvs will have you wishing for a downpour so you can go walking in the rain.

lux exterior is the long player follow up to sordid sound system’s debut ep in a year of 13 moons (invinc 04) which came out last year garnering plays from the likes of andrew weatherall, manfredas, mr tc, mutant disco and krossfingers.
the vinyl release is limited to 299 copies and includes a download code.

1983 to 1988 anthology from the west coast electro hip-hop pioneer. recordings taken from original master tapes. the vinyl box set contains four lps plus download code housed in an all-black case with gold foil print, 20-page book with photos, liner notes by jeff weiss, and detailed track history by egyptian lover. recordings taken from the original master tapes.

new ep by d julz on phonogramme.more info soon mastering by dj steaw / promotion by uk exclusive

in demand repress for this great title ! ...great dont release featuring lots of acid and cover versions to boot! fresh re-rubs of blake baxters >sexuality< and joey beltrams >energy flash< dont recordings reaches the big 20th release and marks the occasion with a double headed ep that looks both backwards and forwards! neil landstrumm has always been a big influence on the sound of the label and here he steps up and delivers 2 monsters that while being completely his own, are also respectful cover versions of classic techno tracks that any techno head worth their salt will recognise. the originals are from 1988 and 1990 but these versions have been completely programmed from scratch using no samples. this is one for the connoisseurs! flip the 12 inch and what you get is two massive acid house party rippers from matt whitehead. matts been tearing up the london scene the last few years with his fresh take on the classic house and techno of the late 80s and when we at dont heard >to the beat< it was snapped up immediately! simply great, dramatic acid house music that is as catchy as it is timeless

cristi cons and vlad caia aka sit conclude their sideways trilogy with three dancefloor oriented tracks, meant to awake different feelings in each one of us. the sample embroidery molded into the pure acid form of angels will leave us smiling in wonder. the fast paced scratch theme from reconnect may satisfy our dancing hunger, or we can just lose ourselves into the myriad filtered bits of shadow, with its breaks sequence as our only guiding path. this is the last piece of the sideways’ puzzle, when the last droplets of energy left inside our bodies, after this 15 tracks long analog ride, are spent for seizing the present. the closing moment, when the curtain falls and our minds are still trying to decipher the hidden message. a message that points out to the diversity of electronic music envisioned through sit s creative touch.

every dog has that certain spot: you scratch it, and your four-legged friend starts kicking out in highest ecstasy, losing all control of his reflexes. the tunes of timboletti work pretty much like that. only he s using full-bodied bass lines to stimulate his audience. it almost seems like the bodies on the dancefloor get invisibly connected to the membranes of the speakers and their rhythmic movement. on top of that, timboletti employs psychelicious sounds and melodies, enchanted sample scraps and a pinch of acid, a cocktail that tickles through the brain of the listener as if somebody poured a glass of champagne into it. the essence of forward thrust and deepness, on this ep in five different variations and tree further remixes.

p2s is back with a new project of hip-hop / breakbeat / scratches / accapella!

disco boogie classic s return for vol 7 in the series. expect the usual dbc style taking classic and some not so known tracks and re working them for the floors. pressed on limited 180g black vinyl.

all time favorite album of the egyptian lover. including my house on the nile, whats a dj if he cant scratch, computer love, egypt egypt and girls. must have!

jesse calosso is a bronx-born dj and producer, part of a tight clique of new york artists that includes such luminaries as the martinez brothers and filsonik. 2015 has been a busy year for him. not only has he completed a mix-tape style album as masters at dutch with the martinez brothers and blas cordero, but also his tracks serving size and whatever right now appeared on the tuskegee ep the come up vol 1. he has dj-d at output in brooklyn, circoloco in ibiza and at seth troxlers acid future party in london to name but three. now, he releases a brand new four-track ep called the incoming on cutting headz.

congo natty aka rebel mc aka mikail tafari veredelt unter mithilfe legendärer dub-soldiers sein letztes studioalbum jungle revolution und liefert ein basslastiges monster für alle dub, reggae & jungle fans! dub war der soundtrack meiner jugend, erinnert sich congo natty und kollaboriert für dieses projekt mit einer anzahl an neuen und bereits etablierten dub-künstlern wie adrian sherwood, lee scratch perry, dj madd, young warrior (sohn von jah shaka), joe ariwa (sohn von mad professor), dubkasm, und vielen anderen. die vinyl-lp erscheint inklusive downloadcode.

ntd005 adds a new artist to the collective – metamethod aka simon haynes. from adelaide, australia, metamethod (undefined recordings) returns from a long hiatus with a new ep. the product of much time refining sounds and ideas, both tracks on the ep are essential synthesis. sounds primarily sculpted from scratch, resulting in biochemical rhythms and algorithmic loops. a must have record for anyone wanting to add some raw energy to their collection.

100% dynamite explores the links between reggae, jazz, funk and soul. the album is jam-packed with reggae tunes that have crossed-over and become cult dancefloor hits in clubland such as >greedy g<, >rocksteady< and >granny scratch scratch<. fourteen tracks of music that show the influence that american jazz, funk and soul music has had on jamaican reggae. the proximity of the west indies to the usa meant that many jamaican musicians would continue to be influenced by american styles of music whilst at the same time continuing to define new styles of their own such as ska, rocksteady and dub.

i came across scaarlet at a drum’n bass party in berlin. three guys, long time members of the music scene, but so fed up by all the politics and bullshits that they decided to go underground and start again from scratch. as a fresh and new label, they decided to give us the chance to release their tracks. so honored we are! here is their press statement: we are rough, i am deep. we are now, i am history. we are straight, i am broken. we are here and i am away. we are unique, i am changing. we are old and i am young. we are image, i am vandal. we are rage and i am shiver. we are many because i am legion. i am nobody, we are scaarlet. 147 vinyl only copies worldwide. no digital. no repress. no bullshit.

f.s. blumm aka frank schültge from berlin has been making marvelous music for many years now. be it solo like on his latest album (pingipung in 2013) as part of the subtle folk-duo -bobby & blumm- or as a sound- scape researcher at the side of nils frahm. but even though f.s. blummbastic sees the light of day for the very first time in this release, the combina- tion of dub and blumm is not new: he is part of the quasi dub development (qdd). the collective around blumm and luca fadda from new york recently released the album -little-twister vs stiff-neck- with features by lee scratch perry or lady ann on pingipung in 2014. these -riddims and biscuits- came to live during the creation of material for future qdd-concerts. f.s. blummbastic played all instruments himself, rhythm guitar, organ and of course bass to send the results the the colleagues in new york. soon it was clear: these riddims have the most impact in their reduced form. theyd like to stand alone and get played back loudly. for the drums f.s. blummbastic brought helmut erler aka hey from hey-Ø-hansen into the qdd cosmos. not only did he bang the drums, but he has also mixed, mastered and cut the vinyl of this album.

super rhythm trax throws you a curveball with unreleased miami bass treats from legendary old skool crew cha-os aka jock d (cut it up def) and lon alonzo (dynamix ii) and the uks finest, bass junkie (breakin) & dexorcist (control tower) aka bassing guild. the 12 inch includes a brand new version of the 1990 classic, *this is too much bass* as well as a new collaboration between the two and an exclusive straight up electro banger in *b-boyonik*. this one is limited and strictly for the bass heads among you.

here after a while coming back with a special one including one new-unreleased track by john swing ... great release!!!

ortofon-serato s-120 bietet maximale scratch performance und ist dank sphärischem schliff sehr plattenschonend

the excellent meant label now offers up two new original cuts from maxime & remain complete with a stellar remix package from kasper bjorke and jackethat & lipelis.
already support by sid lerock, acid washed, maceo plex, sean johnston, acid washed scratch massive, rework, pulp disco and the outcast, click box, gabriel ferreira, matt walsh, chloé, ivan smagghe, tim paris, timo maas, my favorite robot, markus gibb, club bizarre, botin, demian, bufi, alvaro cabana, monoblok&pslktr, tronik youth, gameboyz, james friedman ...

four psychik genocide releases for one special price:
- pkgrx 09: x-fly – the remixes ep
- pkgrx010: progamers – game after game remixes
- pkgrx13: the sickest squad – opera prima remixes
- pkgrx14: the speed freak – mutations 01

• great new rave hitter in very limited in supply
• features scratches and a never ending amen break locked groove !

radioactive man: -dub has always been a major influence in my music, mainly roots a la king tubby, marley, lee scratch, king jammy etc. i used to religiously tune into the manasseh show on kiss fm on saturday nights after coldcut, that introduced me to the massive amount of roots reggae and dub that was made in the 70s. i always loved the fact there was two versions, a vocal and a dub, which was always played in that order... the original remix music i guess...

practice yo cuts, skip proof dj battle tool. both sides contain same scratch samples, one side is 4/4 at 100bpm & other utilizing 3/4 ultra-pitch. all samples land on 6 and 12 o clock. 2014 dmc world champ & battle for world supremacy champ.

die doppel-lp erscheint als limitierte 180g pressung mit 19 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, inkl. 30x30cm kunstdruck, im gatefold mit antistatischen innentaschen.

back to black is proud to present one of the very first releases on the legendary def jam records label as part of its 30th anniversary. this classic 1984 12 inch single, produced by rick rubin himself, is a must have for any old school hip hop vinyl fan! pressed on heavyweight 180 gram vinyl, mp3 download code included.

super abwechslungsreiche 10 inch. von afro (mawa) über flamingos (deep house) und ivory (tribal house) zu mantra (minimal techno) . alles drine .
masaaki yoshida aka anchorsong has been winning friends here in the uk and internationally throughout europe with his live shows, and yes we do mean live: yoshidas music is created with a sampler and a keyboard, from scratch at his gigs. sometimes these sounds are augmented by a string quartet.

die soul band the revelations aus brooklyn, new york, präsentiert mit -the cost of living- ihr neuestes album. die hauptstimme auf diesem album stammt von rell gaddis, der den part von tre williams übernommen hat. rell gehört schon von anfang an zu den songschreibern der band und tritt mit der band seit jahren auf. rell wurde 1997 bei jay zs roc-a-fella label unter vertrag genommen und schrieb seitdem songs und kollaborierte mit größen wie usher, jay z, kanye west, mary j.blige, u.v.a. als band arbeiteten the revelations mit wu-tang clan, lee -scratch- perry, otis clay, willie clayton, benny latimore oder swamp dogg zusammen. für fans von sharon jones, charles bradley, aloe blacc!

volkoder is a huge talent and is about time for his 1st slo on our label! stripped down grooves and groovy baselines for one of our favourites 12 inches this year! hot!

having its operations equally spread in poland and uk, soundbar 005 theres something about you is a collaboration between warsaws mia twin, a dj/producer and event promoter and her frequent music partner kasp, which is also a skilful jazz musician and one half of the pol-on duo.

deadbeat. tikiman. infinity. dub. a quadrangle of such obvious statement and perfect musical inference may very well never have been uttered for those of the wholly weeded out persuasion. indeed, when the great book of dub music is written the names scott monteith and paul st hilaire will undoubtedly figure highly in its chapters devoted to recent years. monteith, the last great prodigal son of the doctrine handed down from the blue mount of lord scratch and king tubby, st hilaire the undisputed voice of a generation, those fanatical warrior monks, followers of the most holy house of ernestus and von oswald incarnate.